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Tickets

10 films for $60 with punch card
$9 general admission. $7 w/UCB student ID, $7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.

Parking

Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters along Colorado Ave east of Folsom stadium and along University Ave west of Macky.

RTD Bus

Park elsewhere and catch the HOP to campus

International Film Series

(Originally called The University Film Commission)
Established 1941 by James Sandoe.

First Person Cinema

(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.

C.U. Film Program

(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil Grillo.

C.U. Department of Cinema Studies & Moving Image Arts

Established 2017 by Chair Ernesto Acevedo-Muñoz.

Cover art for Fall 2019
IFS app and mobile web site Download our iPhone app or browse the IFS mobile web site on your smartphone

Tue Oct 22, 2019

Goodbye Dragon Inn

At Muenzinger Auditorium

Wed Oct 23, 2019

The River

At Muenzinger Auditorium

more on 35mm...

Index of visiting artists
 

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Memory: The Origins of Alien, Fri October 11
7:30 PM

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Subject Memory: The Origins of Alien shows at IFS on Fri October 11
7:30 PM

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Memory: The Origins of Alien

Fri October 11
7:30 PM

Memory was a script that Dan O’Bannon started in 1971, abruptly hitting a wall at page 29. But after the idea gestated for several years, it ultimately took the form of Ridley Scott’s masterpiece Alien.

Alexandre O. Philippe’s documentaries—most recently 78/52, about Hitchcock’s Psycho shower scene—have interrogated cinema’s cultural ripples. If MEMORY—The Origins of Alien were only a comprehensive account of Alien’s origins—ancient myths, comic books, H.P. Lovecraft, sci-fi movies, and parasitic wasps—it would still be fascinating. But how did Alien lodge itself so indelibly into our cultural imagination? Philippe’s real interest lies in the deep resonance of myths and our collective unconscious. The strange symbiotic collaboration between Alien creators O’Bannon, Scott, and H.R. Giger suggests a greater synchronicity across history, art, and storytelling, a synchronicity that gives us the Furies, creatures of Renaissance painting, and even chest-bursting aliens.

Propelled by a pure joy of cinema (and sociology), the film is strewn with unearthed archival material, designs, and story notes. It’s safe to say you’ll never think of Alien the same way again.

To see a trailer and read a review, visit InternationalFilmSeries.com.

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Looking for a gift for a friend?
Buy a Frequent Patron Punch Card for $60 at any IFS show. With the punch card you can see ten films (a value of $90).