There something human in the way Julia Ducournau handles the inanimate car in Titane. The opening shots of the innards of the machine approximating a person’s intestines; human blood and bodily discharge turning into motor oil or the heroine Alexia (Agathe Rousselle) brushing, stroking, grazing, fondling, cuddling, and spreading herself to try and embrace the car and surrendering to it in an act of passionate love. To the contrary, mechanization is at the core of Alexia’s being. With a titanium plate fixed in her head after a car accident in her childhood, it’s as though a robotic beast has come to possess her, clinging staunchly to the chaos raging within. It makes a deviant out of her—a masochist and misanthrope who maims and kills others and harms her own self mercilessly till she insinuates herself into the world of the aging firefighter Vincent (Vincent Lindon) as his long-lost son Adrien. After battling through the stormy sea of life, is he the port that her ship needs to dock into? In turn, does she mirror Vincent’s own lost soul?
Ducournau crafts a peculiar, grotesque tale centred on these man-machine and human-beast contradictions. What’s more, the film, that got Ducournau the Palme d’Or at the Cannes Film Festival and is France’s entry for the best international film Oscar (though it failed to make it to the shortlist), is itself balanced on artistic paradoxes—it is at once revolting just as it is mesmerizing. - Namarata Joshi — https://www.nationalheraldindia.com/films/film-review-titane
10 films for $60 with punch card
$9 general admission.
$7 w/UCB student ID,
$7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.
Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the
Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters
along Colorado Ave east of Folsom stadium and along University Ave west of Macky.
Park elsewhere and catch the HOP to campus
International Film Series
(Originally called The University Film Commission)
Established 1941 by James Sandoe.
First Person Cinema
(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.
C.U. Film Program
(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil
Created by Suranjan Ganguly in 2003.
C.U. Department of Cinema Studies & Moving Image Arts
Established 2017 by Chair Ernesto Acevedo-Muñoz.
Thank you, sponsors!
Looking for a gift for a friend?
Buy a Frequent Patron Punch Card for $60 at any IFS show.
With the punch card you can see ten films (a value of $90).
IFS tickets are only available at the door on day of show. With 400 seats and
rare sell-outs, by arriving a bit early you're almost certainly guaranteed a
seat. We're happy to save seats for anyone traveling from afar--just let us
know how many people are in your group by email. Tickets go on sale 30 minutes
Virtual screenings from independent distributors support the IFS through revenue
sharing. When you watch these theatrical releases at home, the distributor will
split the proceeds 50/50 with the IFS. Prices vary.
First Person Cinema events screen in the VAC basement auditorium on select Mondays.
Celebrating Stan screens in ATLAS 100. Admission is free.
IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium.
Admission (unless otherwise noted):
$9 general admission,
$7 w/UCB student ID,
$7 for senior citizens.
10 films for $60 with punch card.
We give a $1 discount to anyone with a bike helmet, and you can see movies for
free on your birthday, or if you are assisting someone in a wheelchair. Credit
cards are accepted at the door.
If you want to be guaranteed a seat please arrive early. Tickets go on sale
30 minutes before showtime.