The Lord of the Rings: The Two Towers

The sequel to THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, THE TWO TOWERS follows the continuing quest of Frodo and the Fellowship to destroy the One Ring. Frodo and Sam discover they are being followed by the mysterious Gollum. Aragorn, the Elf archer Legolas and Gimli the Dwarf encounter the besieged Rohan kingdom, whose once great King Theoden has fallen under Saruman's deadly spell.

Review from Empire

Peter Jackson has always maintained that The Two Towers is "the second act" of his epic undertaking, and perhaps the true greatness of the middle chapter will only be clear when viewed in context. As a stand-alone film, however, The Two Towers is not quite as good as Fellowship. (Nor, indeed, does it extend the universe or deepen the relationships in the manner of The Empire Strikes Back.) That it still merits the full five stars is merely an indication of how high the benchmark has been set.

Picking up pretty much where Fellowship left off, this is a considerably darker film, with Frodo (Wood) falling further under the influence of the Ring (giving rise to some seriously spooky hallucinations), while Saruman (Christopher Lee) wreaks even more havoc. There's also the first appearance of Saruman's spy, the sinister Wormtongue (Brad Dourif), and the complex Gollum, a brilliant combination of computer trickery and raspy vocals from Andy Serkis (the campaign for a Best Supporting Actor Oscar starts here).

As we've come to expect, this is spectacular stuff - from an opening which sees Frodo troubled by dreams about the demise of Gandalf, through to the climactic Battle Of Helm's Deep, which is nothing short of breathtaking. But Jackson cleverly tempers the louder, brasher sequences with some heartstring-tugging moments - peasants despondent as they are forced to abandon their villages, Aragorn and Arwen's troubled relationship, and, of course, one of the film's most powerful, memorable images that may well leave Ring devotees a little misty-eyed.

Read the rest of the review from Caroline Westbrook here...