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Last Year at Marienbad

Part of the Albertine Cinémathéque Festival

Last Year at Marienbad

Yes, it's easy to smile at Alain Resnais' 1961 film, which inspired so much satire and yet made such a lasting impression. Incredible to think that students actually did stand in the rain to be baffled by it, and then to argue for hours about its meaning--even though the director claimed it had none.

The film takes place in an elegant chateau, one with ornate ceilings, vast drawing rooms, enormous mirrors and paintings, endless corridors and grounds in which shrubbery has been tortured into geometric shapes and patterns. In this chateau are many guests--elegant, expensively dressed, impassive. We are concerned with three of them: “A” (Delphine Seyrig), a beautiful woman. “X” (Giorgio Albertazzi), with movie-idol good looks, who insists they met last year and arranged to meet again this year. And “M” (Sascha Pitoeff), who may be A's husband or lover, but certainly exercises authority over her. He has a striking appearance, with his sunken triangular face, high cheekbones, deep-set eyes and subtle vampirish overbite.

It is possible, I realize, to grow impatient with “Last Year at Marienbad.” To find it affected and insufferable. It doesn't hurtle through its story like today's hits--it's not a narrative pinball machine. It is a deliberate, artificial artistic construction. I watched it with a pleasure so intense I was surprised. I knew to begin with there would be no solution. That the three characters would move forever through their dance of desire and denial, and that their clothing and the elegant architecture of the chateau was as real as the bedroom at the end of “2001: A Space Odyssey”--in other words, simply a setting in which human behavior could be observed.

— Roger Ebert, rogerebert.com

Last Year at Marienbad

Sun December 4, 2:00 PM, Muenzinger Auditorium

France, 1961, in French, Black and White, 94 min, 2.35 : 1, digital

recommend

Tickets

10 films for $60 with punch card
$9 general admission. $7 w/UCB student ID, $7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.

Parking

Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters along Colorado Ave east of Folsom stadium and along University Ave west of Macky.

RTD Bus

Park elsewhere and catch the HOP to campus

International Film Series

(Originally called The University Film Commission)
Established 1941 by James Sandoe.

First Person Cinema

(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.

C.U. Film Program

(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil Grillo.

Celebrating Stan

Created by Suranjan Ganguly in 2003.

C.U. Department of Cinema Studies & Moving Image Arts

Established 2017 by Chair Ernesto Acevedo-Muñoz.

Thank you, sponsors!
Boulder International Film Festival
Department of Cinema Studies & Moving Image Arts

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