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Spring 2017 Schedule

Wednesday
Christine

Muenzinger AuditoriumChristine 
Feb 1

Thursday
Seasons

Muenzinger AuditoriumSeasons 
Feb 2

Saturday
Cameraperson

Muenzinger AuditoriumCameraperson 
Feb 4

Wednesday
Spartacus

Muenzinger AuditoriumSpartacus 
Feb 8

Wednesday
Lolita

Muenzinger AuditoriumLolita 
Feb 15

Wednesday
The Rocky Horror Picture Show

Muenzinger AuditoriumThe Rocky Horror Picture Show 
Feb 22

Thursday
The Anthropologist

Muenzinger AuditoriumThe Anthropologist 
Feb 23

Wednesday
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Muenzinger AuditoriumDr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 
Mar 1

Thursday
Human

Muenzinger AuditoriumHuman 
Mar 2

Sunday
Willy Wonka & the Chocolate Factory

Muenzinger AuditoriumWilly Wonka & the Chocolate Factory 
Mar 5

Tuesday
Neruda

Muenzinger AuditoriumNeruda 
Mar 7

Wednesday
2001: A Space Odyssey

Muenzinger Auditorium2001: A Space Odyssey 
Mar 8

Thursday
Three Crowns of the Sailor

VAC Basement Auditorium (1B20)Three Crowns of the Sailor 
Mar 9

Sunday
Tampopo

Muenzinger AuditoriumTampopo 
Mar 12

Monday
Dearest

Muenzinger AuditoriumDearest 
Mar 13

Tuesday
A Boy Called H

Muenzinger AuditoriumA Boy Called H 
Mar 14

Wednesday
Platinum Data

Muenzinger AuditoriumPlatinum Data 
Mar 15

Friday
Hospitality Department

Muenzinger AuditoriumHospitality Department 
Mar 17

Saturday
Fruits of Faith

Muenzinger AuditoriumFruits of Faith 
Mar 18

Sunday
Friends Naki on the Monster Island

Muenzinger AuditoriumFriends Naki on the Monster Island 
Mar 19

Monday
Evolution

Muenzinger AuditoriumEvolution 
Mar 20

Tuesday
Wednesday
Barry Lyndon

Muenzinger AuditoriumBarry Lyndon 
Mar 22

Thursday
Kedi

Muenzinger AuditoriumKedi 
Mar 23

Friday
Kedi

Muenzinger AuditoriumKedi 
Mar 24

Wednesday
A Clockwork Orange

Muenzinger AuditoriumA Clockwork Orange 
Apr 5

Friday
My Night at Maud's

Muenzinger AuditoriumMy Night at Maud's 
Apr 7

Saturday
Claire's Knee

Muenzinger AuditoriumClaire's Knee 
Apr 8

Sunday
Chloe in the Afternoon

Muenzinger AuditoriumChloe in the Afternoon 
Apr 9

Wednesday
The Shining

Muenzinger AuditoriumThe Shining 
Apr 12

Sunday
The Trial of Joan of Arc

Muenzinger AuditoriumThe Trial of Joan of Arc 
Apr 16

Monday
Les Anges du Péché

Muenzinger AuditoriumLes Anges du Péché 
Apr 17

Tuesday
Les dames du Bois de Boulogne

Muenzinger AuditoriumLes dames du Bois de Boulogne 
Apr 18

Wednesday
Full Metal Jacket

Muenzinger AuditoriumFull Metal Jacket 
Apr 19

Friday
Blue

Muenzinger AuditoriumBlue 
Apr 21

Saturday
White

Muenzinger AuditoriumWhite 
Apr 22

Sunday
Red

Muenzinger AuditoriumRed 
Apr 23

Wednesday
Eyes Wide Shut

Muenzinger AuditoriumEyes Wide Shut 
Apr 26

Saturday
Amarcord

Muenzinger AuditoriumAmarcord 
Apr 29

Friday

Pricing

10 films for $65 with punch card
$10 general admission. $8 w/UCB student ID, $8 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.

Looking for a gift for a friend?

Buy a Frequent Patron Punch Card for $65 at any IFS show. With the punch card you can see ten films (a value of $100).

Parking

Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the Duane Physics tower, is closest to Muenzinger. Covered parking with similar pricing can be found in the Euclid Parking Garage under the CASE Building, South of Muenzinger. We recommend utilizing the ParkMobile app on your phone to simplify the process and avoid needing to use the kiosks.

RTD Bus

Park elsewhere and catch the HOP to campus


Cox & Kjølseth
: Filmmaker Alex Cox & Pablo Kjølseth discuss film topics from their own unique perspectives.

Z-briefs
: Pablo and Ana share Zoom-based briefs on what's currently playing at IFS

Search IFS schedules

Index of visiting artists

Wed Oct 14, 2026

King Kong

At Muenzinger Auditorium

Wed Oct 28, 2026

Event Horizon

At Muenzinger Auditorium

more on 35mm...

Notes from the IFS Desk

More...

In the almost 20 years that I’ve been programming the IFS, I’ve always tried to provide a balance of independent, foreign, and repertory titles in relatively equal measure. I’ve also tried to be receptive to both the demons and angels that whisper in my ear.

This semester the mix favors the past and it does so with a surprising number of screenings on 35mm film. I’d like to think this a subconscious corrective and calling to learn from our past. Mostly, however, I’d like to acknowledge the voices from my colleagues in the Film Studies program, as well as the kind people at the Consulate General of Japan in Denver.

A recent article by Malcolm Gladwell in The New Yorker (“The Outside Man”) contrasts the contributions of Daniel Ellsberg with those of Edward Snowden. Toward the end of the piece, Ellsberg is described as “weeping for what the United States has turned into.” It also has Ellsberg asking Snowden if he’s ever seen Dr. Strangelove to which Snowden replies “No,” and adds,“Before my time, man.” I’m sure this didn’t help Ellsberg’s funk.

Here’s to hoping that any young person reading this will learn from Snowden’s cultural illiteracy by availing themselves the opportunity to see Kubrick on film, and going a step beyond that by watching what Kies’lowski, Bresson, and many other great filmmakers have to offer us this Spring at the IFS